
AUDITIONS
MARK YOUR CALENDARS
FOR OUR 2026-2027 SEASON AUDITIONS
GENERAL AUDITION INFORMATION
This page provides general information about the audition process for Attic Theatre. For specific details, including character breakdowns, audition requirements, and scheduling, please refer to the individual audition section for each show below (when available). Some productions may have unique audition procedures, so be sure to check the show-specific details for the most up-to-date information.
At Attic Theatre, we are proud to encourage and invite actors of all abilities, experience levels, and ethnicities to audition. We believe in fostering a diverse and inclusive creative environment for every production.
AUDITION DAYS
You are not required to attend both audition days, although you are welcome to do so if you prefer. Attending only one audition day will not affect your chances of being cast.
CONFLICTS & AVAILABILITY
When filling out your audition form, please be as accurate as possible when listing any conflict dates. While having conflicts will not disqualify you from consideration, knowing your availability allows the director to create a more effective rehearsal schedule.
TECH REHEARSALS & PERFORMANCES
All actors must be available for tech rehearsals (the week and weekend leading up to the first performance) and for all scheduled performances. The only exception to this is for double-cast roles, where prior arrangements are made with the director.
FAMILY INVOLVEMENT
Parents are encouraged to attend rehearsals with younger actors. Additionally, we invite families to audition for shows with mixed-age casts, making this a great opportunity for a fun, rewarding family experience.
AUDITION FORMS
Audition forms will be available at the auditions. Alternatively, you can download and complete the form in advance from the link at the bottom of this page, and bring it with you to your audition.
WHAT TO BRING AND WEAR
Please remember to bring a water bottle with you. For musical auditions, appropriate clothing and shoes are essential. While dance shoes are not required, please wear comfortable, secure footwear that stays on your feet during movement.
BACKSTAGE VOLUNTEERS
We always need help backstage! If you're not cast in the show, or if you have friends, family, or siblings interested in assisting backstage, please note this on your audition form.
NON-PROFIT ORGANIZATION
Attic Theatre is a non-profit community theater, and we never charge any fees to audition or participate in a show.
If you have any questions, please refer to the contact information on the individual audition section for each show.
UPCOMING AUDITIONS

Moon Over Buffalo by Ken Ludwig
Directed by Kreston Peckham
Sunday, November 8, 2026 from 1 p.m. to 5 p.m.
Monday, November 9, 2026 from 5 p.m. to 9 p.m.
Auditions will take place at All Saints Episcopal Church at 100 N. Drew St., Appleton, (Washington Street entrance) basement level.
Performance dates:
February 18-20 and 24-27
Auditions will consist cold reading from the script.
The farce, Moon Over Buffalo centers on George and Charlotte Hay, a fading film and Broadway headlining duo. It is spring, 1953, and they’re playing Private Lives and Cyrano De Bergerac in repertory in Buffalo, New York with five actors. The company operates on a shoe-string budget, members haven’t been paid in weeks. All the action takes place in Buffalo’s Earlinger Theater – either in the green room or onstage as they rehearse or perform Private Lives and Cyrano De Bergerac.
On the brink of a disastrous split caused by George’s dalliance with a young ingénue, they receive news that they might just have one last shot at stardom: Frank Capra is coming to town to see their matinee, and if he likes what he sees, he might cast them in his movie remake of The Scarlet Pimpernel, rejuvenating their careers.
Unfortunately for George and Charlotte, everything that could go wrong does go wrong, abetted by a visit from their daughter’s clueless fiancé and hilarious uncertainty about which play they’re actually performing, caused by Charlotte’s deaf, old stage manager mother who hates every bone in George’s body.
Moon Over Buffalo is a fast-paced, hilarious screwball comedy in the old tradition, a throwback farce, a valentine to the stage, and the larger-than-life personalities that inhabit the world of the theatre.
Character Descriptions:
George Hay - (Male, 50s) very dramatic, a slapstick type, over-the-top actor Must be able to do strong physical comedy, including pratfalls, running, stage combat (fencing), etc.
Charlotte Hay - (Female, 50s) She helps to run the acting troupe and plays all the leads even those for which she is a bit too old. Must be able to do an upper-class British accent.
Ethel - (Female, 70s) Charlotte's mother. Grumpy, troublemaker, hard of hearing, leading to comic misunderstandings. Should have huge stage presence and strong comedic skills.
Rosalind “Roz” Hay - (Female, 20-30s) George and Charlotte's daughter, used to be an actress and a member of their acting troupe, but she decided that she wanted a real career, so she left - determined never to act again - or be like her parents. Must be able to do an upper-class British accent.
Eileen - (Female, early 20s) is an aspiring actress, eager to please. She has a crush on George and has been having a fling with him.
Howard - (Male, late 20-30s) – a weatherman and Rosalind's fiancé. He comes across as a wimp, a little annoying, nervous, and very excitable. Must be able to do strong physical comedy.
Paul – (Male, 20- 30s) is a member of the acting troupe, who used to be with Rosalind and still loves her and wants her back; but he is an actor first and foremost, so he wouldn't leave the troupe to be with her. Must be able to do strong physical comedy
Richard - (Male, 50s) He is George and Charlotte's attorney, but he is in love with Charlotte - always trying to get her to leave George. He is wealthy and used to getting what he wants, and he is both amused and perplexed by the Hay family.
Director’s Note: Age ranges are an approximation so don’t let that discourage you from auditioning. You may be asked to play younger or older than your actual age. Also, the character’s genders are fixed by the playwright/script and noted (Male/Female) within the character descriptions.
Tentative Rehearsal Schedule:
Read-Through January 5, 2027
Rehearsals Tuesday, Wednesday, and Thursday 6:30-8:45
The closer to opening the frequency and time of rehearsals will increase.

Ripcord by David Lindsay-Abaire
Directed by Jim Harwell
Sunday, November 8, 2026 from 1 p.m. to 5 p.m.
Monday, November 9, 2026 from 5 p.m. to 9 p.m.
Auditions will take place at All Saints Episcopal Church at 100 N. Drew St., Appleton, (Washington Street entrance) basement level.
Performance dates:
April 15-17 and 21-24
Auditions will consist cold reading from the script.
A sunny room on an upper floor is prime real estate in the Bristol Place Senior Living Facility, so when the cantankerous Abby is forced to share her quarters with new-arrival Marilyn, she has no choice but to get rid of the infuriatingly chipper woman by any means necessary. A seemingly harmless bet between the old women quickly escalates into a dangerous game of one-upmanship that reveals not just the tenacity of these worthy opponents, but also deeper truths that each would rather remain hidden.
Character Descriptions:
​​Abbey Binder – (Female, 70s-80s) A resident
Marilyn Dunne - (Female, 70s-80s) A resident
Scotty - (Male, 20s-30s) A resident aide
Benjamin - (Male, 40s)
Lewis - (Male, 40s)
Colleen - (Female, 30s-40s)
Derek - (Male, 30s-40s)
Clown
Woman in White
Zombie Butler
Masked Man

Come From Away book, music, and lyrics by Irene Sankoff & David Hein
Directed by Susan Rabideau
Sunday, February 7, 2027
from 1 p.m. to *3 p.m.
*CALLBACKS MAY OCCUR THAT SAME DAY AT 4 P.M.
Video auditions accepted until Friday, February 5, 2027 by 5 p.m.
Please send to Susan Rabideau: smrabideau@yahoo.com
Auditions will take place at All Saints Episcopal Church at 100 N. Drew St., Appleton, (Washington Street entrance) basement level.
Performance dates:
June 10 - 12 and 16 - 19
Auditions will consist of singing 36 measures or approximately 30 seconds from the show for the role for which you are auditioning, additionally you may be asked to read from the script and/or move.
When 38 planes are forced to land unexpectedly in the tiny town of Gander, Newfoundland, after the events of September 11, 2001, the local community opens its hearts to nearly 7,000 stranded passengers from around the world. Come From Away is the inspiring, funny, and deeply moving story of strangers who became friends and a community that came together when the world needed it most.
​
With its energetic music, heartfelt storytelling, and large ensemble of characters, Come From Away celebrates kindness, resilience, and extraordinary things that can happen when people come together.

